We had such a splendid and informative time having Sacha Mardou speak with us about her healing journey and career in comics. She gave us a generously in-depth look at her process in making her newly-released graphic memoir Past Tense. We also got a sneak peak at what she's working on next!

About our guest speaker:

"Sacha Mardou was born in Macclesfield in 1975 and grew up in Manchester, England. She began making comics after getting her BA in English Literature from the University of Wales, Lampeter. Her critically acclaimed graphic novel series, Sky in Stereo was named an outstanding comic of 2015 by the Village Voice and shortlisted for the 2016 Slate Studio Prize.

Since 2019 she has been making comics about therapy and healing. Her graphic memoir Past Tense: Facing family Secrets and Finding myself in Therapy published by Avery/Penguin USA is out now. Since 2005 she has lived in St Louis, Missouri with her cartoonist husband Ted May, their daughter and two disruptive cats."

What a pleasure it was to have Yasmeen Abedifard speak with us at the Sequential Artists Workshop! We talked in depth about the making and many iterations of her recently published When to Pick a Pomegranate (2024 Silver Sprocket), as well as her journey through arts, comics, publishing, and teaching. Give it a listen! About our guest speaker: "Yasmeen Abedifard (b. 1996) is an Iranian-American artist born in the San Francisco Bay Area and is currently based in Oakland, CA, USA. She holds an MFA from Cornell University, where she received the Charles Baskerville Painting Award. Her work is centered around storytelling mediums, including comics, illustrations, and animation. She is currently teaching in the Comics program at The California College of the Arts (CCA) and the UC Berkeley Art Studio."

Our very last episode of The Terrible Anvil (Season One) was recorded this week! With Tom and Jess together in the same room!

We tried to tie a bow around the business of comics by offering ideas on HOW TO KEEP GOING (FOREVER), AKA making your own sustainable comics practice amidst inner/outer turmoil and also remembering to wash the dishes.

A big takeaway from this episode: CELEBRATE SMALL WINS!

This week we recorded the penultimate episode of THE TERRIBLE ANVIL, this time discussing scripts, dialogue, and writing for comics!

The words we use and how they are arranged on the page can guide readers' understanding of our comics and influence how they feel about a story and its characters. But how do you pick the right words? How much is too much dialogue? How can you make sure readers understand your text the way you intend?

It was a privilege to have cartoonist Carl Antonowicz speak at the Sequential Artists Workshop about his journey through comics and performance art, among his many other creative endeavors!

ABOUT CARL:

Carl Antonowicz is a Tulsa-based illustrator, performer, writer, director, cartoonist, and calligrapher. He dabbles in medieval history, the occult, theatre, and any of a number of other enterprises. He is currently enjoying his third year in the Tulsa Artist Fellowship.

Carl earned his Master's of Fine Arts in Cartooning at the Center for Cartoon Studies in 2011, and his Bachelor of Arts in Studio Arts and English Literature from Austin College in 2008. He recommends both institutions highly.

This week we talked all about creative collaboration!

Comics can often be a solitary endeavor, but you'll find lots of ways to collaborate with other people—be it editors, writers, artists, colorists, copy editors, designers, publishers or co-creators!

Collaboration in any art form can be a great way to breathe new life into the creative process. They can be scary or uncomfortable if you're used to having total control over your creative projects, or this shared control might feel liberating.

Either way, there's lots to gain from working with others on a shared project, from morale boosts and accountability systems, to practical knowledge sharing and the creative alchemy of multiple minds coming together.

But how do collaborations happen? How do you make them successful? How can you maximize fun and minimize pain in the process?

There's lots of advice in this episode, but the core of it is to establish clear communication and boundaries and to have a shared goal with your collaborators.

This week on The Terrible Anvil, we talked about BACKGROUNDS!

We talked about the link between last week's topic, EXPECTATIONS and backgrounds—what we THINK backgrounds should look like, as well as what readers might expect…

Roberta Gregory is the legendary, groundbreaking cartoonist, the first woman to self-publish a full length solo comic, Dynamite Damsels in 1976 and she has continued to be involved in mini-comics and self-publishing through the 2000s. She's contributed to Gay Comix, Wimmen's Comix, Tits & Clits and is the solo author of Bitchy Bitch, Winging It, Sheila and the Unicorn and many more.

We’re honored to have had Tessa Hulls as a guest speaker, sharing her history with comics, the process behind Feeding Ghosts, and more!

Per her publisher's website: Carol Tyler is one of the most enduring cartoonists of her generation. Debuting with the short story ""Un-Covered Property"" in Weirdo in 1987, she went on to contribute to other anthologies of the era like Street Music, Twisted Sisters, Wimmens Comix, Drawn & Quarterly, and Zero Zero.

David Lasky is the creator of Boom Boom, Urban Hipster, Don’t Forget This Song, and more.

He has worked as an artist, colorist, co-writer, and teacher for many years. Lasky moved to Seattle in the early 90s, soon becoming part of a circle of young self-publishing cartoonists like Ed Brubaker, Jason Lutes, Jon Lewis, Megan Kelso, and Tom Hart. In 1993 he received a Xeric Grant to self-publish Boom Boom, which pushed the boundaries of comics, blending graphic form with history and surreal cartography. Throughout his career Lasky worked to revitalize over- and under-used comics genres and tropes with the spirit of early alternative comix. Lasky won an Eisner Award for Don’t Forget This Song, a graphic biography of The Carter Family, and has been nominated for multiple Ignatz Awards.

Tom Hart is the founder of The Sequential Artists Workshop and the subject of our beta test of the 90s Mini-Comic Oral History Archives.

He is the creator of Hutch Owen, Love Looks Left, Wodaabe and many mini-comics in the 90s and after. He is also the NY Times #1 best-selling author of a graphic memoir about his daughter, Rosalie Lightning…

Episode 3 - On Early Drafts

We had THREE topics that were somewhat braided together:

1. A thought Jess had: Become more interested in DOING what you're doing than KNOWING what you're doing.

2. A quote I wrote down: "I often find myself writing long meandering first drafts, that drift around a bit before settling down into a state of baffling indecision." - George Saunders

SAW's favorite novelist on drafts, failure, and limitation as gift.

As a maker-writer, you may have a story in mind, the beginning of a story, the end of a story in mind—but rather than emphasizing the narrative arc, she places importance on the process of a “continual thickening until right shape emerges…”

Reading the Magic Treehouse graphic novel with my daughter I noticed some really nice pages, and thought I would point them out. Good visual communication and storytelling here!

Thanks to Dave Ortega for speaking with SAW about his comics!

ABOUT DAVE:

"I was born in El Paso, Texas where I began my art education and discovered the passion for narrative storytelling through comics.

My self-published comic book series Días de Consuelo is about the early life of my grandmother who was born during the Mexican Revolution. Those issues were collected, edited and published as a graphic novel by Radiator Comics in March 2022. Días de Consuelo was selected by Society of Illustrators for their Illustration 65 annual…”

We had an awesome time learning from Sophie Yanow about her personal journey through comics making and publishing!