We had such a splendid and informative time having Sacha Mardou speak with us about her healing journey and career in comics. She gave us a generously in-depth look at her process in making her newly-released graphic memoir Past Tense. We also got a sneak peak at what she's working on next!

About our guest speaker:

"Sacha Mardou was born in Macclesfield in 1975 and grew up in Manchester, England. She began making comics after getting her BA in English Literature from the University of Wales, Lampeter. Her critically acclaimed graphic novel series, Sky in Stereo was named an outstanding comic of 2015 by the Village Voice and shortlisted for the 2016 Slate Studio Prize.

Since 2019 she has been making comics about therapy and healing. Her graphic memoir Past Tense: Facing family Secrets and Finding myself in Therapy published by Avery/Penguin USA is out now. Since 2005 she has lived in St Louis, Missouri with her cartoonist husband Ted May, their daughter and two disruptive cats."

What a pleasure it was to have Yasmeen Abedifard speak with us at the Sequential Artists Workshop! We talked in depth about the making and many iterations of her recently published When to Pick a Pomegranate (2024 Silver Sprocket), as well as her journey through arts, comics, publishing, and teaching. Give it a listen! About our guest speaker: "Yasmeen Abedifard (b. 1996) is an Iranian-American artist born in the San Francisco Bay Area and is currently based in Oakland, CA, USA. She holds an MFA from Cornell University, where she received the Charles Baskerville Painting Award. Her work is centered around storytelling mediums, including comics, illustrations, and animation. She is currently teaching in the Comics program at The California College of the Arts (CCA) and the UC Berkeley Art Studio."

Andrew Coltrin is a writer, comics artist, and disabilities advocate when not at the day job as a paraeducator for a large urban school district.

For decades Andrew thought he was just weird, anxious and unexplainably broken until the DSM finally had an update that caught up with lived experience. Andrew was diagnosed as autistic at the age of 37, and informally diagnosed with ADHD by his brother in 2023 (“your DHD is Advanced”).

Andrew’s previous works include the glossary zine A is for Autistic, and the zine Ability: Emerging from the Social Constraints on Neurodivergence and Disability. Andrew has also led staff trainings about neurodiversity and has spoken on panels at the Interdisciplinary Autism Research Festival (2021) and the Tucson Zine Fest (2023).

Thanks for listening!

Sam Henderson is an American cartoonist, writer, storyboard director, and expert on American comedy history.

From Sam:

“Technically, I started doing [mini-comics] at 12 in 1982. When I went to art school in the late eighties I got other students (including a young Tom Hart) into doing them. But I guess for this you'd say 1991. I did a bunch with different titles but did MAGIC WHISTLE as a regular series in 1993. All the while I was starting to sell work professionally and had an alt-weekly strip for a few years, doing MW as a minicomic until 1998 when it became a "real" comic (i.e. a minicomic with a slightly higher circulation and better production values). Most of my 90s minicomics were collected in a book called HUMOR CAN BE FUNNY.”

Our very last episode of The Terrible Anvil (Season One) was recorded this week! With Tom and Jess together in the same room!

We tried to tie a bow around the business of comics by offering ideas on HOW TO KEEP GOING (FOREVER), AKA making your own sustainable comics practice amidst inner/outer turmoil and also remembering to wash the dishes.

A big takeaway from this episode: CELEBRATE SMALL WINS!

This week we recorded the penultimate episode of THE TERRIBLE ANVIL, this time discussing scripts, dialogue, and writing for comics!

The words we use and how they are arranged on the page can guide readers' understanding of our comics and influence how they feel about a story and its characters. But how do you pick the right words? How much is too much dialogue? How can you make sure readers understand your text the way you intend?

This week on the Terrible Anvil we talked about CRITICISM!

Criticism and rejection are inevitable parts of the creative process—so how can we make them more bearable?